Sam Worthington Reveals Why New York City Is a Star in the New Thriller 'Relay'

NYC's Energy Drives New Thriller 'Relay'
Sam Worthington, star of the upcoming whistleblower thriller 'Relay,' highlights the importance of filming in the actual New York City, emphasizing the energy and authenticity it brings to the film.
Directed by David McKenzie, known for his work on 'Hell or High Water,' 'Relay' delves into the world of corporate whistleblowers and the secretive relay centers facilitating anonymous communication.
Worthington, who plays a corporate enforcer, explains that the real New York City is a crucial element in the film's atmosphere: "New York is almost like a character in this movie, and I’m glad that we actually got to shoot in New York, and not like, say, Toronto for New York, or somewhere like that, which normally happens."
He adds, "There’s an energy of that place. There’s an energy of the people that feeds into, potentially giving you more of a drive on your story."
McKenzie, who had never filmed in New York before, was drawn to the city's unique vibe. "There’s a sort of strong New York flavor there, which I was really intrigued by." The film captures this authenticity by using real locations such as Times Square, Newark Airport, and even alleyways in New Jersey.
'Relay' doesn't just use New York as a backdrop; it integrates the city into its narrative. "It’s a very contemporary film, and the sort of flavors of contemporary New York are something we were kind of tapping into," McKenzie says.
The film explores the world of corporate whistleblowers, with Worthington's character serving as a go-between for big business and potential whistleblowers. He embraces a more fluid approach to developing his character, saying, "I discussed with David. I said, ‘Look, just, let’s see where it takes us.'"
'Relay' promises to be a thrilling ride with its unique story and captivating performances set against the backdrop of a vibrant New York City.
- #relay
- #samworthington
- #davidmckenzie
- #newyorkcity
- #thriller
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