NYC Ballet: A Tale of Two Choreographers

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New York City Ballet, since its inception, has showcased contrasting styles reflecting the personalities of its founding choreographers, George Balanchine (abstract and impersonal) and Jerome Robbins (culturally sensitive). This duality continues today with resident choreographers Justin Peck and Alexei Ratmansky.

Peck's Modern Ballet vs. Ratmansky's Classical Roots

Peck's new work, “Mystic Familiar,” uses music by Dan Deacon, reflecting contemporary anxieties. The dancers will perform off-pointe, many in sneakers. Conversely, Ratmansky's “Grand Pas,” part of a new ballet incorporating Balanchine's “Minkus Pas de Trois,” delves into the technical brilliance of classical ballet's past, showcasing pointe work and technical prowess.

Beyond Ballet: NYC Arts & Culture Scene

This season at the David H. Koch (Jan. 21-March 2) also features “Divertimento No. 15,” “Symphony in Three Movements,” “Firebird,” and “Sylvia: Pas de Deux.” Beyond ballet, the article also highlights:

• 'Saw: The Musical': A campy, raucous musical adaptation of the horror film.
• Roomful of Teeth: A vocal ensemble pushing the boundaries of vocal performance.
• claire rousay: An experimental electronic musician known for emo ambient soundscapes.
• Malpaso Dance Company: A Cuban contemporary dance troupe performing at the Joyce Theatre.
• Harlem Gospel Choir: Performing on Martin Luther King Jr. Day and at the Blue Note.
• Michael Roemer's “Dying”: A documentary about the final days of terminally ill patients.
• Lai Rai: A new bar pairing natural wine with Vietnamese-inspired ice cream.
• A wide array of adult classes across the city including ikebana, calligraphy, cooking classes, and mushroom growing.